"Great nations write their autobiographies in three
manuscripts, the book of their deeds, book of their
words, and the book of their art. Not one of these books
can be understood unless we read the two others, but of
these three the only trustworthy one is the last."
John Ruskin
La Città Che Sale - The creative space –
The City
The relationship between the newly refurbished city
building and the community involves participation in the
design and it is part of the phenomena of art, culture
and enterprise. The problem for anybody who starts
learning about city planning is that, over time, the
city creates its own boundaries.
People today confront the same reality: For all of the
amazing innovations in almost every industry, there has
been no corresponding creative boom in urban and
community development. As a consequence looking for a
place to live has become a competition for space. Facing
a generation to come is the epitome of the problem,
which is to figure out who has the right to a
well-designed space, the building; it is futile exercise,
involving a host of value judgments.
The future of housing and development globally would
seem to be that there is a desire to move into newly
built houses; versions of suburban subdivisions. There
is a rapid proliferation of building and the creation of
false environments. We now have a generation that has a
different view of space and lifestyle. The perception of
architecture today has also experienced a change,
raising further questions about lifestyle and economical
growth. Those who fear a hidden agenda in urban and
regional planning will have a more realistic forward
thinking. Perhaps in the future we will be able to
accommodate all of that new growth and still preserve
the environment and lifestyle that makes it so
attractive in the first place, but this is by no means
certain
To balance the risks of the urban sprawl often
inherent in a city development. The city planning should
have one design goal: to help its people live
imaginative lives. It’s comfortable to preserve an old
space but the riddle of the modern era is figuring out
the making of space for future generations, where
everyone’s needs are accommodated, both old and young.
Careful thought has to be given to the space/structure
and to do so requires organization. So far, the modern
city has moved on, serving the past generations and
projects long before the renovation will be due.
A city should gradually grow more comfortable in its new
surroundings, and it should not come close to filling
the space, if it is well planned.
Benefits, like access to local work, commerce and
cultural outlets should be integrated and would also
re-energize the city when it is properly planned. The
biggest transformation is structuring a city that
reflects the contours of the rolling landscape around it,
by opening up space and using the resources at hand.
How we can help people live innovatively and
differently? Spending time with people who work and
thrive in the city and are experimenting with ideas is a
sheer pleasure. It changes the way you see life and work
in the city.
There is a design approach and a developmental
philosophy that comes closer to the espoused aspirations
of this generation. But an ecological response to a
global boom unfortunately is far from being accepted
Architecture portrays the power of thought and somehow
signals a democratic workplace and, in an academic way,
charts the happiness of its citizens; in other words a
new space could reaffirm old roots.
Ours is an economy based on innovation and also on
planning. What better use can there be for space than to
inspire. To translate the city’s purpose into practice,
and to produce an economical growth: that is the goal.
When we create a new neighbourhood what we should think
of is to see the extent of growth.
It would be a long-term investment to insert a cultural
institution in the evolution of a city planning. It
establishes and maintains a strong cultural core that's
based on inventiveness. There will be spiritual and
concrete rewards for the citizens in a way that's both
meaningful and unexpected.
A chance to create a new building or planning a city is
also the time to take some corrective measures. To fix
problems before they grow over time. Even with the best
planning there are mistakes to be made.
You need to be able to be informed and to enlighten
plans with audacious solutions. What we want is a space
divided up into neighbourhoods and a meeting place for
us to have our community together
We could make the city building our own by supplying
space and identity. The dominant space is closer to a
controlled chaos as well as tranquillity. Both rarely
prevail as a virtue when people are interacting and
working, but the buildings in the city could easily hold
strategic developments. There may even be creative
benefits to the chaos. A vision of future success is the
goal of function, design, culture and creativity. There
are many contrasting thoughts. A fine building gives and
incorporates functionality and beauty in the design.
In the future the city will finally change. Or maybe it
will stay the same. Perhaps the city will look like a
new development. The same as it ever was. Only much,
much bigger.
The metropolitan area has grown and plenty of people who
felt trapped inside that world promised themselves that
they would never end up in such an inexpressive setting
and that they would certainly never want their own
children to grow or to live there. But somehow they
remain.
The establishment of an organization to manage or plan
the city is at the crossroads. It has the power to rule
and charter the everyday life of the city.
The constant search for space and planning the future,
in some ways, fits the cutting-edge image of a city but
increasingly represents an insurmountable obstacle today.
There's also a direct link between physical boundaries
and the perception of intellectual ones. If the legacy
is a thriving and hard working community then a
well-instructed contemporary population, aware of
artistic needs and desires, would be able to contribute
something other than money to the local economy.
Therefore, it is a particularly important time for city
planners to support contemporary art.
Planning a city and making buildings is conceived as an
element of communication and this makes sense for a
number of reasons. Among others is the economic factor,
which still prevails; also the chaos, which is very much
predictable. The space is something that requires
careful low implementations and dealings.
Supporting the city also represents an ongoing way to
contribute to the larger community stimulated in part by
design because it means that people are taking ownership
of the events
Business only can flourish in an environment of
tolerance and peace given by the city. It’s a way to
generate excitement about the place, the city, and an
option to attract new people. The more we can do to
encourage the development of the city and the arts the
more we'll be able to attract commerce, tourism, young
people who are looking for a scene, collaboration,
interaction, spontaneous meetings. The biggest challenge
going forward may be in giving personality and identity
to the buildings, the houses, branding the space and
persuading someone to move here at the leading edge of
that scene; literally, inside the ideal building with
you.
In general the urban parts of the cities have suffered
considerably. There’s a sense that something unique is
at stake and at the same time has threatened the very
things that make the place so desirable: Sustainability.
The houses today are grouped roughly by size. Some are
mansions; others are more modest. They look as if they
were built from the same architectural mould: All of
them look relatively new, and all are painted from the
same earth-tone colour palette. It is evidence of a
larger trend depending on how you define the terms.
The concern is that globally many people want their
cities to look like New York, Los Angeles, even Shangai,
etc. Now that we have outgrown the old city. How did we
get here?
When many of these residents were growing up having an
artificial existence in the suburbs, they were warned
about empty lives lived in little boxes all looking just
the same.
New suburbs and the subdivisions look and feel just like
they used to - except they're bigger, more expensive,
and farther away from the cities that they surround. So
people who grew up in the suburbs, who were warned about
the suburbs, and who said that they would never live in
the suburbs now do.
The city's environmental treasures and access to
recreational activities are advantageous, but they are
not enough. The population has increased and the older
generation begins to outnumber the younger generation.
The strategy is to figure out what the city is missing
that would attract people from the outside and would
provide a lure to businesses.
What is wanted is large parks with great recreational
opportunities and a commitment to building a great
school system.
From the beginning city planners must focus on the
development and decide on one target. People. Struggle
hard to provide ongoing funding for the city's cultural
institutions. As the economy improve these moves may
paid off. Giving a cultural identity to the city.
Another target is the development of a city, which is
designed to accommodate all of the people who would ever
live there. The streets aren't filled to capacity. Space
for cars and traffic movement are planned in advance.
In fact, for all of the debate about growth and sprawl,
no one disputes the quality of the amenities that have
been built today.
One way or another the new citizen must agree to abide
by a long list of guidelines to be in a safe environment
and to help owners protect their investment and to
create and enforce community standards by applying
strict rules and co-operating with structural
inspections of house construction.
Many of the construction contracts should also deal with
aesthetics as well as reinforcing law and order. No
urban space should be off-limits to any well-planned
commercial or residential development. Although, these
developments must have an inherent consideration and
respect for the natural environment.
According to new urbanism principles one common new
feature is housing that is designed for people of all
income levels. Diversity and mixed uses can make life
more interesting. A design philosophy could be a
combination of pragmatism and communitarian feeling.
We tend to diverge when it comes to architecture or the
approach to a philosophy of urbanism. Real places
accommodate differences between people and gives them a
physical expression: The prospect of the development of
a sense of community.